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Tag: 2025

Burning (2025)

August 4, 2025 Mikkel FrederiksenLeave a comment

What will people say?

Posted in ReviewsTagged 2020s, 2025, Aizada Bekbalaeva, Aysanat Edigeeva), Ömürbek Izrailov, burning, central asia, Dastan Madaldiev, domestic violence, fantasia, grief, Kalicha Seydalieva, Kyrgyzstan, movie review, pregnancy, radik eshimov, religion, supernatural, superstition, unreliable narrator

ChaO (2025)

July 29, 2025 Mikkel FrederiksenLeave a comment

Something's fishy

Posted in ReviewsTagged 2020s, 2025, anime, anna yamada, anti-feminist, chaO, comedy, japan, merpeople, movie review, oji suzuka, romance, romcom, science fiction, shanghai, the little mermaid, yasuhiro aoki

Sinners (2025)

July 22, 2025 Mikkel FrederiksenLeave a comment

This little light of mine, I’m gonna let it shine (all over the place)

Posted in ReviewsTagged 2020s, 2025, action, andrene ward-hammond, deep south, delroy lindo, hailee steinfeld, helena hu, horror, jack o'connell, jayme lawson, michael b. jordan, miles caton, mississippi, movie review, racism, ryan coogler, sinners, supernatural, supernatural horror, vampire, yao

Mission: Impossible – The Final Reckoning (2025)

July 16, 2025 Mikkel FrederiksenLeave a comment

Tom Cruise’s kumbaya

Posted in ReviewsTagged 2020s, 2025, action, angela bassett, artificial intelligence, christopher mcquarrie, erik jendersen, esai morales, haley atwell, hannah waddingham, henry czerny, mission impossible, mission impossible final reckoning, movie review, nick offerman, pom klementieff, simon pegg, stunts, tom cruise, tramell tilmann, ving rhames

The Phoenician Scheme (2025)

July 13, 2025 Mikkel FrederiksenLeave a comment

Wes Anderson’s creative method revealed

Posted in ReviewsTagged 2020s, 2025, benedict cumberbatch, benicio del toro, bryan cranston, comedy, family relationships, industrialist, mia threapleton, michael cera, movie review, richard ayoade, scarlett johansson, the phoenician scheme, tom hanks, wes anderson

Mickey 17 (2025)

April 21, 2025 Mikkel Frederiksen1 Comment

The truth is stranger, dumber, and crueller than fiction

Posted in ReviewsTagged 2020s, 2025, capitalism, cloning, colonialism, dystopian, exploitation, mark ruffalo, mickey 17, movie review, naomi ackie, robert pattinson, science fiction, stephen yeun, toni colette

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