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Mikkel Frederiksen

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Tag: cannes 2024

All We Imagine As Light (2024)

August 19, 2025 Mikkel FrederiksenLeave a comment

The soft touch

Posted in ReviewsTagged 2020s, 2024, all we imagine as light, asia, cannes 2024, cannes grand prix, Chhaya Kadam, divya prabha, drama, film review, Hridhu Haroon, india, kani kusruti, modern love, movie review, mumbai, patriarchal society, payal kapadia

The Shrouds (2024)

May 10, 2025 Mikkel FrederiksenLeave a comment

Like watching a corpse rot

Posted in ReviewsTagged 2020s, 2024, canada, cannes 2024, conspiracy, david cronenberg, death, diane kruger, grief, guy pearce, mourning, movie review, mystery, sandrine holt, the shrouds, toronto, vincent cassel

Universal Language (2024)

February 17, 2025 Mikkel FrederiksenLeave a comment

Everybody forgets about Manitoba

Posted in ReviewsTagged 2020s, 2024, alienation, canada, cannes 2024, comedy, Ila Firouzabadi, manitoba, matthew rankin, movie review, Pirouz Nemati, universal language, winnipeg

L’amour Ouf (2024)

January 15, 2025 Mikkel FrederiksenLeave a comment

Jon Bon Jovi yell: You give loOOoove a bad name

Posted in ReviewsTagged 2020s, 2024, Adèle Exarchopoulos, alain chabat, cannes 2024, crime, François Civil, france, gilles lellouche, l'amour ouf, Malik Frikah, Mallory Wanecque, movie review, teen romance, vincent lacoste

Anora (2024)

October 28, 2024 Mikkel FrederiksenLeave a comment

Just 'cuz she dances go-go…

Posted in ReviewsTagged 2020s, 2024, american independent, anora, cannes 2024, Karren Karagulian, mark eidelshtein, mikey madison, movie review, palme d'or, russian oligarch, sean baker, sex worker, stripper, Vache Tovmasyan, Yura Borisov

Bird (2024)

October 15, 2024 Mikkel FrederiksenLeave a comment

Weak winds beneath these wings

Posted in ReviewsTagged 2020s, 2024, andrea arnold, barry keoghan, bird, cannes 2024, coming of age, drama, film review, franz rogowski, magical realism, movie review, nykiya adams, social realism, united kingdom

Megalopolis (2024)

October 5, 2024October 15, 2024 Mikkel Frederiksen1 Comment

Empire state of mind

Posted in ReviewsTagged 2020s, 2024, adam driver, architecture, audrey plaza, cannes 2024, dustin hoffman, film, film review, francis ford coppola, giancarlo esposito, jason schwartzman, jon voight, laurence fishburne, megalopolis, movie review, movies, nathalie emmanuel, review, shia labeouf, talia shire

The Substance (2024)

September 29, 2024 Mikkel FrederiksenLeave a comment

Consider the railgun

Posted in ReviewsTagged 2020s, 2024, body dysmorphia, body horror, cannes 2024, cannes best screenplay, coralie fargeat, demi moore, dennis quaid, entertainment industry, horror, margaret qualley, movie review, satire, science fiction, the substance

Kinds of Kindness (2024)

July 2, 2024 Mikkel FrederiksenLeave a comment

Yorgos Lanthimos circles back

Posted in ReviewsTagged 2020s, 2024, absurd, black comedy, cannes 2024, Efthimis Filippou, emma stone, hong chau, jesse plemons, joe alwyn, mamoudou athie, margaret qualley, willem dafoe, yorgos lanthimos
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